A Neutral Masterstroke or a Misstep? Pantone's Snowy Colour of the Year Sparks Backlash.
For many people who has spent years renting, confronted by the same landlord-approved beige walls and yearning for injecting personal style to their home, Pantone's new Colour of the Year might be perceived as a direct affront.
This time around, the renowned color company has designated white as its annual hue.
More specifically, the shade is called Cloud Dancer – a white described as "elevated" and "airy" which "serves as a symbol of calming influence in a society rediscovering the value of stillness".
It signifies the first time a pure white has been honored as the Colour of the Year, and it has generated significant controversy.
As stated by Pantone, Cloud Dancer "transcends mere pigment, it's a mindset" and embodies a shared urge to slow down, reset and seek peace after years of sensory saturation.
But some critics have dubbed the decision as "Pantonedeaf", contending that elevating sparse and immaculate white spaces can seem disconnected from the more compact, messier homes most people inhabit.
Others argue that framing white as an ideal introduces subtext related to race, landing uncomfortably within current political and cultural discussions about inclusion and diversity.
Clinical or Calm?
Interior expert One design critic says the backlash transcends aesthetics, arguing that white holds societal connotations and is rarely a neutral choice.
"The color white sends a message," he says, influenced by a decade of sparse star homes – most notably Kim Kardashian's austere home – that came to symbolize "wealth, order and removal from disorder".
He elaborates that white is "not about inspiration but being careful not to cause upset", with Cloud Dancer personifying "austerity, moral minimalism and the concept that impartiality equals virtue".
Beaumont references the pandemic as a pivotal moment in how people relate to their homes.
"Suddenly they became our workspaces, refuges and sources of stability," he says, adding that against this backdrop, directing the Colour of the Year towards "further visual emptiness feels rather out of step".
Rather than offering calm, he argues white now risks heightening "a sense of desolation", particularly when combined with harsh, sterile lighting.
'A Clinical Atmosphere
Lara Clark, a Surrey based interior designer, concurs and says Cloud Dancer "doesn't really read as a colour" and is "completely rejected for me".
While it may suit highly minimal or architectural spaces, she says bright whites rarely create calm in everyday living spaces.
"An image of tranquility in a styled shoot can easily feel sterile at home," she clarifies.
"White can feel harsh and demanding and you don't want your home to give hospital vibes."
She adds that "living spaces should elicit happiness and be inviting and welcoming, and this shade seems quite removed from that."
The critic hopes that homeowners will disregard the Pantone Colour of the Year in preference for "full-scale dopamine décor", using vibrant hues to express individuality.
The vice president of the Pantone Colour Institute commented that people "have varied interpretations" to the significance of the colour, but it was chosen as it "works seamlessly with everything around it, providing a sophisticated impartiality that seems deliberate and versatile".
Beginning in 2000, Pantone's Colour of the Year has become a powerful industry signal.
Past choices have featured the hopefulness of Living Coral, the calm confidence of a deep blue, the vibrancy of Viva Magenta, and most recently more gentle, emotionally driven tones like Peach Fuzz.
These colours extend beyond style predictions - they appear in fashion collections, cosmetic products, interiors, product wrapping and even technology, influencing how products are sold and how consumers imagine the year ahead.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may seem basic, "this particular shade feels soft and refined rather than stark".
In contrast to those who say the colour is boring, the expert sees it as "adaptable" and says it's best used in "bedrooms and living areas where you want a peaceful, restful atmosphere".
"Should you don't want to repaint, you can introduce the colour into a room with cushions, blankets and curtains."
Interior designer Another professional says although he was taken aback that Pantone's pick this year was "fundamentally the absence of colour", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice".
He can see its merits, noting that white can work particularly well as a backdrop for architectural details like wall molding and curved entries which is a "growing trend in contemporary houses".
In apparel, white has long been a basic rather than a statement and as a Colour of the Year it poses a different challenge to designers more accustomed to vibrant colors.
Fashion consultant A styling expert says elevating white feels "not focused on newness and more concerned with purpose", indicating a movement towards sophistication after years of fad saturation.
"The color white compels designers and those who wear it alike to concentrate on shape, proportion and craftsmanship, there's really nowhere to hide," she explains.
But she continues that it also carries assumptions around self-image, way of life and privilege, stating: "When white is viewed as something only a limited subset of people can wear well, it becomes divisive."
She says the industry is already cognizant of the uncomfortable undertones associated with lauding white as an ideal, particularly during ongoing conversations about representation and accessibility, and the true challenge will be whether "companies engage with that complexity honestly, or simply aestheticise the colour".
A Reflection of the Times
Stylist Katie Malik concedes the choice initially surprised her, given Pantone's track record of vibrant hues, but says it reflects a genuine shift and fits within a wider mood of "quiet luxury